” Winter is nature’s way of saying, ‘Up yours.’ “

Robert Byrne

 

'a mid-winter's night dream' ftlow m.fauvet-TLC 2-3-15there’s no connection whatsoever between Byrne’s quote and my moonlit watery gif. none whatsoever.

When asked why she tied flies she replied, “Because they’re pretty”

“In a cottage in northern Scotland, Megan Boyd twirled bits of feather, fur, silver and gold into elaborate fishing flies – at once miniature works of art and absolutely lethal. Wherever men and women cast their lines for the mighty Atlantic salmon, her name is whispered in mythic reverence and stories about her surface and swirl like fairy tales.

With breathtaking cinematography and expressive, hand-painted animation, this film both adheres to and escapes from traditional documentary form, spinning the facts and fictions of one woman’s life into a stunning meditation on solitude, love, and its illusions.”

Kiss the Water, embrace the beauty. this one’s more than special.
reserve yourself an hour and be sure to watch it in full screen HD. enjoy !

Fly Casting- Tailing Loops, those Oh-So Mysterious Creatures !

here’s yet another inspiring casting analysis gem straight from the creative mind of Aitor Coteron.
more than worthy of careful study for fly casters of all levels, i’ll venture to say that this one’s specially important for anyone teaching casting.

tailing-loop-backcast-a-bit-slower-than-real

” for although that dip/rise is somewhat of a “concave path of the rod tip” it has nothing to do with those big bowl shaped tip paths so many drawings depict. For years those bowl shaped explanations were to me as perplexing as the tailing loops themselves: however much I looked whenever I saw a tail in someone’s casting I couldn’t see that big concave path everybody was writing about. Not even on the casting videos available. Reality is much much more subtle, so subtle that seeing with the naked eye the expected anomaly in the tip path -even knowing what to look for- is really hard. Here we have a tailing loop in full glory. It is played at a slower pace than real speed. The tail could be used to illustrate a casting handbook; can you see the “bowled rod tip” anywhere? “

this last point is quite important. most (all as far as i know) video analysis of TLs has been done by casters staging them just as us instructors do when certifying. they’re over-exagerated and very non-realistic interpretations of what’s really going on when its an involuntary fault. or in other words, studying bad examples can only lead to bad conclusions… 
“P.S. The tailing loops shown here are real ones, nothing staged for the camera but involuntarily produced.”

i’ll not add more. click HERE for Aitor’s complete article including different gifs at different speeds and rod tip path overlays. enjoy !

Fly Tying Videos- Tim’s Caddis Larvae

by Tim Flagler at tightlinevideo
man, i really love Tim’s tutorials. everything about them; the well and thoroughly thought out descriptions, high film quality, crisp and clear instructions and overall pleasant learning atmosphere make these videos a real gem and this new one’s one of the best he’s produced.
based on a simple go-to caddis larvae suggestive pattern, we’re also treated to fantastic thread control and split-dubbing techniques well worth paying special attention to.  this video deserves to be bookmarked as a reference and is a super-fine video backup to the very same techniques brought up in Dennis Shaw’s more-than-fantastic A Complete Dubbing Techniques Tutorial. enjoy !

this little image gives a nice, simple and generalised visual reference of the bug’s key elements for the tier to keep in mind when tying these imitations.
hydrphsy
should you want to have a slightly more visible segmentation, don’t hesitate tying a few flies with a darker thread that matches the thorax’s dubbing. the darker thread will show through the abdomen a little when wet.
as always, adapt colours and fly size to match your local bugs. lead or standard wire wrapped around the shank will help the fly get down in faster/deeper waters. if you do add weight, use a little less dubbing to preserve the correct proportions or the finished fly will look like a fast-food junky…

Fly Casting- have Fronton, will cast.

Fronton rod m.fauvet-TLC 23-2-15last weekend was spent in the Basque region of Navarra, Spain with friend, casting instructor colleague and someone i could consider to be my mentor in these fly casting shenanigans, Carlos Azpilicueta.
the weather couldn’t have been any worse (well, technically it could have been much-much worse) but trying to figure out some intricate casting stuff while there’s very strong wind gusts, rain mixed with slush snow and the consequent quite low temperatures that make slush snow while having fun and working on casting repeatability just doesn’t do it. having the option of hanging out at the local café and just talking about it was the first plan but all of a sudden an indoor fronton appeared out of the sky giving us the opportunity to do some actual swishing and slinging instead of blowing hot air and getting the jitters from too much coffee.
when i was living in Sweden i had had numerous casting sessions in the enormous indoors sports arenas that are in just about every town or city. the biggest i saw was able to have four simultaneous full-sized football/soccer games going on at the same time. that’s big. way too big.
our little fronton/basketball/multi-sport complex was a much more intimate affair, just perfect for anything except for the long-longest competion-style distance casts. i couldn’t care less about comp-style distance casts anyway so this was a real treat on several accounts:
– not being able to cast far forces one to cast at closer distances. i know, that’s an obvious ‘duh… ‘ but ! take some casting geeks to a big field and nine out ten times they’ll instantly peel all the line off their reels and try to cast it all and even if generally speaking, distance casting makes for better overall casting, that isn’t the complete picture.
– although we may bring our own cones, hoops, measuring tapes, golf balls or whatever to a field, we tend to place them, work on a few casts and challenges/games but there’s a horizon and that horizon always seems to beckon that full line again and we’re back to square one.
– this fronton, apart from being indoors protecting us from all the weathery crap had two distinctive features that made it all the more special and productive and they where both on the floor. first, the surface was incredibly slick (not slippery as in sliding and falling over when moving about but in the sense that the fly line had much less grip than field or artificial grass might give). this made for a perfect manner to study, observe and demonstrate the effects of the anchor for roll casts and Speys by effectively removing the anchor from the equation while still getting good casts. not only that but it was yet another perfect way to demonstrate and disprove the too often common notion, that the anchor loads the rod. (it doesn’t because it can’t. more on that in another post)

– the other and real eye-openning feature to this super-slick floor was that we could execute and demonstrate all sorts of casts on the floor itself similar to what several colleagues such as Aitor Coteron and Lasse Karlsson have been demonstrating with bead chains to great effect but this time, with real fly casting equipment: a rod, line and leader/fluff combination.
to be perfectly clear, i have the highest respect and gratitude for all the work my friends have done with bead chains and they’ve contributed enormously to the contemporary understanding of fly casting but there’s always been something missing, something always nagging me in the back of the mind and that mostly has to do with tapers or, different weight distributions along the whole fly line/leader/fly system. bead chains have a continuous mass and profile from one end to the other whereas our lines, leaders and flies don’t. in a nutshell, tapers make fly casting easy(er), predictable and get the job done. anyway, in my opinion the slick floor and real kit can only make any experiment or demonstration a bit more realistic. if nothing else, we’re using equipment that any fly fisher can really relate to and not something that seems to always get in the way when we’re trying to brush our teeth.

different loop shapes; tight, open, loop-fronts rounded or pointy, big uncontrolled loops and tailing loops where a breeze to execute and we could show them all in a slower-than-normal fashion making for an easier way to study them. if we underpowered the cast the loop would not completely turn over but retain the loop’s shape giving us a real-time casting drawing or video pause effect as if they where suspended in mid air. very cool.
we can’t do any of that or rather, lets say that its a lot more difficult to get the same results on grass because grass grabs the line, curves it out of shape because its irregular and nowheres near as smooth as this deluxe surface.
the darkish floor made for increased contrast with the bright orange lines making this all one of the best visual experiences i’ve ever seen or can imagine. i tried to film some of these casts but although it looked really cool to the naked eye, the low camera angle from head height didn’t do this justice. i’ll be back with a tall ladder next time to film them from above. can’t wait !

i’m fully aware at how geek this must sound but for someone like myself, this is extremely exiting stuff. its like several doors and windows opened and let in the light. of course, i want to learn more and more for myself because i crave this casting-geek stuff but a lot of those windows and doors that opened up will help my students see a bit more light as well because in the end, its all about sharing.

if we manage to not get distracted by unexpected phallic shapes, all these lines, lanes and curves open up a lot of casting-challenge possibilities. the mind’s the limit.
Fronton Floor 1 m.fauvet-TLC 23-2-15
trying to control a weighted and very air-resistant fluff-puff with a standard 6wt ‘trout-sized’ rod/line/small-fly leader: i’d say he’s damned good at it. of maybe more interest than casting overweighted fluff, we’ll notice how overall supple and fluid Carlos is when he casts. this makes for super-smooth casting that’s a real necessity with this kind of challenge but also translates to silky-suave-smoothness and line control when casting a normal fly. awesome !

and just another of the myriad game possibilities; keeping the fly line and leader on top of the white line. well, almost…fronton 3 m.fauvet-TLC 23-2-15