Simple Curve Casts

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by Carl McNeil of On the Fly Productions

like the title says, here’s two methods of of presenting the line with a curve near the end of it. as Carl mentions, the curves can be used to go around obstacles but they can also be used as we would with curve mends to reduce or increase drag during the drift on flowing water or when using the wind to drift our flies on stillwaters. and those are just a few examples, the world of presentation casts is about using your imagination to adapt to the situations at hand.

i’ll most certainly agree that the Underpowered curve is a tricky one to use while fishing and even if there’s no wind. practiced as we may, being accurate consistently just doesn’t happen and even if we get it right, we’re left with an enormous amount of slack that needs to be tightened up if there’s a strike…
however,  i really recommend practicing the Under-powered curve as an exercise in power application control. since most people over-power their casts, this one teaches them to do the opposite !

the Over-powered curve cast is closely related to the Tuck cast but we’ll notice that the difference between the two isn’t just about the plane in which they are performed.
the Tuck is performed with the fly leg parallel (over) with the rod leg and with the Over-powered the fly leg swings under the rod leg. we can see this clearly on the head-on shots.

next time you’re out practicing give these a try and you’ll see how easy it is to make these so-called ‘trick-casts’. if you do them, say, in a yard with bushes and other obstacles (and better yet a cat !) you’ll get the feel for their purpose right away while having fun.

try different casting planes and try to remember that even though it’s called ‘over-powered’ it does say ‘hit it like a brute’ :mrgreen:

Relaxed Fly Casting

by Jon B. Cave via Midcurrent

very much in line with my own teachings of relaxed casting form, Jon’s great article brings up an oh-so common flaw in the casting world, body tension and the negative effects it has on good line control.
Jon recommends mainly focusing on relaxing the casting hand and arm but i have different thoughts and suggestions on how to actually relax the whole body, which is a good thing because i’m in the middle of writing an article on that very subject for issue no. 3 of Eat, Sleep, Fish coming out next month !

” Casting a smooth and ripple-free loop is an integral part of performance fly casting. However, even an experi­enced caster can instinctively tighten up under pressure to increase distance, speed up the delivery, or make a particu­larly difficult presentation. The result of this tension, more often than not, is an inefficient cast. “


excerpted from Jon Cave’s ‘Performance Fly Casting’ book, click here for the full article.

brainwashem’ young- Ellie May


eleven years old and not only ties trout flies almost every night but also at shows and on tv.
five years into her tying passion, “I started making up these flies with really big feathers,” Ellie May recalled. “They weren’t really flies, they were ‘things.’ A lot of times they were just single feathers wrapped onto a hook.”

WoW, far out !…

you can read more about Ellie May here.

troutline.ro

i’m very pleased to announce today a new partnership with  trout line.


Lucian Vasies is one of the best fly tiers there is and his online shop is full of nice goodies for us to tie and fish with ! based in Romania with an excellent service record and fantastic prices, take the time to dig through the shop where you”l find a nice selection of barbless hooks, Bidoz tungsten beads from France and some rather unusual materials like Mad Rabbit and Wild Hamster dubbing from who knows where !

just to get your mouth watering and tying fingers fidgeting here’s some Catgut nymphs.
wrapped around the shank, this is an extremely buggy looking, very interesting material. (cat lovers needn’t be afraid ! it has that name but its actually sheep)

a few of Lucian’s flies that show off it’s potential wonderfully.


check out the Catgut Nymph step by step here and in a heavier/hairier version here.