laura-palmer

Fly Casting with Laura Palmer

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~ Ein Laura Palmer film~ presumably named after everyone’s favourite girl-in-a-bag -at least that’s my guess- well, caught my attention. whether it has to do with an inexplicable interest in like-minded producers what give weird titles to their stuff combined with a good dose of fly casting… i’m happily digressing just to get to this: here’s a really nice, short and sweet video of Wolfgang Heusserer demonstrating an equally nice variety of single-hand spey casts.
Circle-C, Snap-T, Jump Roll/Switch cast, standard roll cast, wiggles and probably fourteen others i missed because i was too busy watching the line being first manipulated, then flying about. all the great presentation skills a river fisher should imo, have down pat.

not a how-to tutorial, this one’s just eye candy. more than the line dancing itself, we’ll notice how effortlessly every action is done. it looks easy and that easy is a sign of someone who’s worked a lot on their skill. i hope you’ll enjoy.

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the Light Saber at StinkyStream

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tech specs:
Light Saber- Epic 580 + Barrio GT125
StinkyStream- a small urban trout stream somewhere around Glasgow. it didn’t stink.
photo- Campbell Stuart
caster/fisher- me

A Revolution in Fly Fishing Films

found on Fly Lords facebook page, here’s a more than welcome change from the usual, virtually always the same, and getting boring as hell trend in fly fishing videos.
there’s no droning higher ground morals or self-validating or ethics speech. no fancy, costing an arm and both legs travel to what once used to be an exotic location nor brand names being hashtagged down our throats.
just a simple, normal T Rex catching a catfish with a fly rod: nice, nice and nice…   enjoy !😄

Once you’re finished sucking out the marrow

you can go all DIY and carve your very own EDC BoneFishing rod ! coming out soon will be a carbon-reinforced sinew reel to complete this outstanding outfit, until then, let’s enjoy something quite novel.

ps- note the complete absence of bone loading yet very nice and tight loops. it kinda makes one wonder why loading and unloading a fly rod is so often referred to as the end-all in fly casting.

Countless Reasons

we’re given thirty but after some thought the real numbers are unlimited.
there’s nothing to say that this short film by Berthold Baule and Martin Clemm doesn’t say on its own so please set aside nine minutes to watch it and maybe a few more to think about what you just saw.

this is very special, enjoy !

gary loomis - kistlerrods

Fly Rods- Gary Loomis on Rod Construction and Breakage

we’d already seen some insights on fly rods and how they break by Tim Rajeff- Why and How Fly Rods BreakUnderstanding how fly rods break but it’s always good to get varying thoughts and opinions from different rod designers and today’s little treat comes straight from someone who needs no introduction; Gary Loomis.

gary loomis - kistlerrods

in this article via KistlerRods Gary tells us about graphite blank modulus, what IM6-7 and 8 means, blank wall thickness and how all this combines to define rod actions and their strengths and weaknesses.
originally published in September 2011, that might seem like eons ago but apart from a few tweaks here and there the same principles are still around.
there’s no tech-geek talk and this is a most interesting read, here are a few excerpts.

“Loomis began by explaining that the identifiers IM6, IM7 and IM8 are the trade numbers used by the Hexcel Corp. to identify their product and is not an industry quality or material standard, although the Hercules Fibers produced by the Hexcel Corp. are the benchmark that most companies use to compare their materials.”

“What an angler needs to understand is how the word “modulus” pertains to graphite rods. Modulus is not a thread count, as many would have you believe. Modulus basically equates to stiffness.”

“But the misconception of brittleness still plagues them, and the reason for this is because as the modulus gets higher, the less material is needed and therefore used. This means that the wall thickness in the blank, which is basically a hollow tube, is thinner.”

be sure to click Gary’s big smile to access the complete article, enjoy !

'between the branches m.fauvet-TLC 11-2-16

Fly Casting- the Vertical Hoop drill

a lot of fly casting practise involves using rings, a hoop or any other object placed on the ground. this teaches us target distance acquisition and of course, accuracy.
the next step up from there is placing that hoop or something similar vertically and casting through it. (in her fantastic book Fly Casting Techniques, Joan Wulff offered the idea of casting through a car window and later varying the opening of that window by making it go up or down) this vertically-oriented target, or rather ‘loop passage space’ adds loop size to the previous learned skills.

what’s the point ? apart from variety, fun and a nice game to play with other casting nerds, learning to control loop size is really important when casting into the wind because a small loop takes up a lot less physical space and is less influenced by wind. casting into the wind needs a higher line speed as well and we can just add the extra line speed drill to the ‘through the hoop’ exercise.

the other very obvious reason is when having to cast with obstacles either in front of us or behind. those obstacles will vary greatly but maybe the most common are trees and their branches as in the pic below.'between the branches m.fauvet-TLC 11-2-16
this was a while back in deepest-darkest Sweden and if memory’s correct, the only available back casting space i had was a little tunnel about 1 metre and a half wide. i put this pic here as a reminder of how important it is to do the hoop drill on the back cast as well as in front. it goes without saying that turning around and aiming for the empty space is the only way this is going to happen with success.

 

this great little clip from Chris Morris shows the hoop drill in both real time and slomo. variances of the drill could be varying the casting distances, how much line is shot through the hoop, side casting with loops at various angles and when you get good at this, casting at an angle instead of straight on. (the hoop’s height remains the same but its width ‘ovals’ and narrows, for lack of a better physics term) that one’s tricky !

practise never really makes perfect but it always makes gooder so here’s hoping this will inspire a few to do just that. enjoy !

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Mystery Casting Pond X

this little farm pond has had many names in the past. it started as Mystery Pond X but that’s so common it was regularly confused with all the other Mystery Pond Xs around the globe so i had to get a little creative.
it used to have stocked rainbow trout in it so Lake Trouto seemed to make sense, at least in a non-confusing yet highly mindless and tacky way. the owner, a very kind, gentle and very old man whose nose is the same colour and size as a basketball stopped stocking trout a while back and the ones that where left-over eventually turned into food for furred, winged and slimy two-legged creatures but there had always been grass and common carp in there so Trouto turned into Carpo.

Lake Carpo sounds cool but after ten or so, yes, ten or so years… i’ve yet been able to properly hook one of these scaled giants. i did foul hook a grass carp whilst targeting trout years ago but it broke off the tippet in about as much time as it takes to say Lake Carpo three times really quickly. the carpers out there will scoff at my lack of success but that’s something i can live with. i’ve caught plenty of carp but just never in this little ghost carp pond-hell and that’s ok too because maybe that’s what will make Carpo so memorable.

next up was the small yet always fun and forever beautiful perch that seemed to thrive in there. i’d had several 50+ perch landing days with a personal best of 76 but they seem to have teleported themselves wherever it is that perch teleport themselves. i almost forgot, at that stage the pond of course took on the Lake Percho nomenclature. normal.

i’m probably wrong but for the moment i consider this pond to now be fishless to the point where i still go regularly to practice my casting but don’t even bring any flies to not be distracted if some fish happened to magically appear.
you got it, things go full circle so in a fit of total lack of renaming creativity, this little cutie has a new name:
Casting Pond X.

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this is the back view at CPX. funny, i’d never noticed how beautiful it could be…

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Fly Casting- Drawing a Fish

graciously sent in by London-based casting colleague Alex Titov, here’s some lovely fly line art in the form of a fish.
fly fishing, there’s so much more to it than simply catching…

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thanks Alex !

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Fly Casting- A little more on the Double Haul

as a follow up to yesterday’s post Explaining the Double Haul, friend and instructor colleague Craig Buckbee a.k.a. EasternCaster offered a brilliantly simple addition, something every person of any level of fly casting can really benefit from by keeping in the forefront of the mind when practicing the double haul:

“The rod hand initiates the cast, the line hand finishes the cast”

that simple statement/mantra-to-be-mumbled-over-and-over actually says/implies a lot about great hauling form and great casting in general but there’s a few more things to add to this topic so i’ll just leave it at that for today and encourage you to not only try it out but also think about it for a while.


as for this somewhat cryptic image, here’s a minor tip that came in handy to help solve a little issue a casting student of mine had during a course a few months back. i know its a little off-the-shelf but if it can help someone else then it’ll be well, just great.

the situation: this gentleman had been falsley lead to believe for many-many years by a bunch of bozos that the double-haul was a ‘specialist’s’ technique only to be used by the elite to cast very far… and as a result and as primarily a river trout fisher, had never learned to haul but heard the contrary here and there and was keen to learn.
Krieger's Haul drill mono loop m.fauvet-TLC 5-1-16
by far, i prefer to have students use the type of gear they’ll be using in their ‘everyday’ fishing but he was having a little trouble getting the right feel and timing for the feedback so i pulled out my Mel Krieger Hauling Reel backup (it’s a shooting head with a mono shooting line – see the video below) and included Mel’s drill as part of the afternoon’s tasks.

this started off really well for those specific difficulties and after a few minutes they where almost a thing of the past however, whether it was his aging hands combined with the thinnish shooting mono or, 20-30 years of being used to slipping line through the fingers whilst false casting reflex, the end result was an excess amount of overhang after each casting cycle and as anyone who’s cast a shooting line knows, there’s only so much overhang possible before things start to get nasty, ugly and frustrating or in other words, this was turning into negative, unproductive time spent by the student.

since there’s no actual line shooting involved in this drill and after noticing how line slippage was quickly becoming the centre of his attention instead of the key elements (and also noticing how i was starting to sweat whilst trying to find a solution quickly… ) i decided to eliminate the impedment by cutting the shooting line at the correct overhang length and tie a simple loop knot that could be easily held.
line slippage became impossible, focus shifted back to the task and after a few minutes, the beginner hauler became quite proficient. enough so that when he re-installed his ‘normal’, thicker, non-slippery line back on the rod, everything went fine and dandy and the Mister left a happy-hauling camper.

in novels and movies i really like it when the hero gets her/his brains blown out or the couple ends by a grueling divorce but when it comes to casting lessons, a happy ending is always a win-win.

and as another happy ending, here’s Mel ! enjoy !

Fly Casting- Explaining the Double Haul

by Stefan Siikavaara

originally written in 2009, here’s an interesting approach on the subject that stands up well to time. intended for casting instructors, this ‘frame of mind’ or maybe ‘perspective shift’ should be of  interest for fly anglers of all levels.

when talking about or teaching the Double Haul we tend to simply say “it speeds up the line” and often just leave it at that. Stefan digs a little deeper and i thank him for it.

“You want to keep it simple while teaching, but this is sometimes easier said than done. While teaching you sometime get really tough questions from your students. I’ll give you an example: I’ve been asked a few times about what the doublehaul does to your cast

When I get this question all sorts of things go through my head. I am thinking about what I read in Mac Brown’s excellent book, Casting Angles. The haul is a necessity to master because it enables the caster to conserve energy throughout the fly cast. It entails putting all the various casting fundamentals together for a cumulative effect of attaining higher line velocity on the stream. The line hand pulls on the line. This causes the rod flex to increase which leads to greater rod deflection.

I am also thinking about a great essay in physics that doctor Grunde Løvoll published a while ago. Mr Løvoll’s findings show that the catapult effect, the actual unbending of the rod only equates to about 10% of the total line speed in a cast.

Among the other things that go through my head are a few of the traditional views of the double haul. That it increases the bend of the rod and that it also reduces slack line in the cast.

I am tempted to answer all of this. But as you already figured out, these explanations question each other. On some points they even contradict each other. And most importantly, handing this big package over to my student is not simple enough; therefore it is not good enough.

Let’s have has closer look at them. My conclusion of Mac Brown’s explanation joined with Løvoll’s findings is that the haul gives additional speed directly to the line. I like it, let’s leave it at that.

If I would go for the traditional view of the haul reducing slack in the cast I would risk planting a casting fault in my students head. Why is that you ask? Well, if there is slack in the line it would most likely manifest itself the most early in the cast, while the loop is unfurling or after the line has turned over. The idea of using the haul to reduce slack would incite starting the haul early. Well, if I start the haul early I risk finishing it too soon. And what would that give me? I run a considerable risk of adding a tailing loop to my students cast with that explanation.

So, all these things buzzing in my head and the student still waiting for an answer to his question: What does the double-haul do to my cast?

So what do I say? Do I go for the technical explanation or do I go for a traditional description? This student had not read all the literature and joined in on all the threads on the internet boards. He just wanted to brush up his casting for hunting seatrout down the Swedish coast.

No, instead I’ll choose an explanation by Lefty Kreh that I think sums them up: The line hand is the accelerator. You drive your car, you shift gears and you press the accelerator. You start your stroke, you speed up and then you haul.

Being able to abstract and condense a huge amount of information and different theories into a short and simple answer proves that you really know your stuff. Read everything, evaluate everything and learn from it all. But keep your explanations clean and simple. The mark of a great teacher as the late Mel Krieger is to make complex things simple. Use few words, use your body language, use examples that your student can relate to. Keep it simple.”