Fly Casting- The Wiggle / Horizontal Hump / Fly Dryer Pick Up

as the title suggests, this technique has several names but in my heart it’s the Wiggle and since i like things that wiggle… i’ll stay with the jiggly moniker !

just as in Pavel Kupstov‘s description and super-excellent video below, its main purpose is to easily and very quickly shake/fling off water from a waterlogged dry fly or emerger during the backcast lift without having to bring the fly back to dry and/or treat it with more floatant or powder.
as we’ll see in the slow-to-fast sequences in the video, the Wiggle sheds most if not all residual water on one single backcast enabling the angler to complete the cast and present the fly with one p/u and lay down instead of having to whip the line back and forth, false casting to get the same result.

how does it work ? just as with a standard casting loop, most of the water is shed when the fly goes from one direction to its opposite direction (back to front/front to back) but in this case, there’s a whole lot of direction changes before going into the actual backcast loop and this latter one finishes flinging off whatever water was left. pretty ingenious when you think about it.

the Wiggle also sheds water from the leader and fly line, something that will greatly help when using a silk or textured line and furled or braided leaders but ‘standard’ mono leaders and plastic fly lines aren’t immune to ‘water retention’ either.
in both cases, fly and line(s) won’t be spraying fish-spooking residual water droplets upon presentation, something to keep in mind in slower flowing pools or stillwater.

as for this pick up’s history and other names, i have no idea if other authors have talked about this p/u method previously but Joan Wulff writes about it in Fly Casting Techniques and Jason Borger in Nature of Fly Casting.
Joan calls it Horizontal Humps and Jason, Wiggle Pick Up. i might have missed it but interestingly, neither one mentions the p/u’s fly-drying attributes as its described as a way to effectively pick up fly and line from vertically oriented snaggies like grass and brush without, well, snagging them so there you go, yet another reason to add this technique to your bag of tricks.

as for how-to’s, wiggling is pretty straightforward but i always advise to start off the lift with the arm extended, rod tip pointed directly at the fly and start wiggling as you’re drawing the elbow back towards you whilst lifting the rod tip and then going into the backcast propper. this avoids ‘running out of casting arc’, leaves more space and time to get it all done correctly and smoothly and generally leads to a better backcast loop. Pavel’s one of the finest casters there is and despite that we’ll see backcast loops that aren’t picture-perfect but that’s not important as long as we don’t lose control of the line and flop it around.

last note: in her same Pick Ups chapter Joan also writes about a variant; Vertical Humps. basically the same thing but instead of wiggling (humping?) left and right, the waves are created by jiggling the rod tip down and up during the lift and since it doesn’t really matter which plane the waves are going, there’s yet another option for you.

there might be more but i can only think of one potential minorly negative aspect: all that spray goes straight towards the caster but then humping usually involves some kind of, ehhhh, nevermind….

“Hocus Pocus”

a very dark day needs some light to balance it out. this article cum memoir kindly sent in by Mark Surtees gleams with childhood fears that turn to admiration, magic, the realisation and appreciation that fly fishing is a lot more than just catching fish and most importantly, at least in my eyes, how we as sharers or teachers share and teach our passions. all too often, the what takes over the how but as with light and darkness, one doesn’t really mean anything without the other.

thanks again Mark for giving our readers another gem to reflect on and enjoy.


Hocus Pocus
(Focus, 1972)

Was it for fun as a kid on holiday or day trip? Perhaps it was in adolescence to distract you from a life of petty criminality, a developing meth habit or a wicked and dangerous career out on the cultural edge in politics, accountancy or law. Maybe it was as an adult just to help de-stress. Whenever it was, the chances are, one way or another, you were actively taught to fish. Very few people pick up fishing tackle of any description without encouragement and brief instruction from a third party.

My Grandfather taught me. Over cold fishless winters he would sit, black suited, in his high back chair, smoking bitter navy cut cigarettes, sour as wormwood, silent, waiting. Sometimes he looked at me with his old crow eyes and I wondered if he would lean forward and peck out my soul…..he didn’t, but I was only six years old and very, very afraid of him.

One spring, when the grasses were still flat from the snow and the primroses bloomed on the banks, I went with him to fish the local river. We sat among the streamside flowers and I watched him tackle up. He cast a beaten up bamboo rod with a broken tip that was patched with a short length of brass tubing, a greased kingfisher silk line and flies from an old mock tortoiseshell fly box which contained a few nondescript patterns he had tied himself long ago. I could see his fly land on the surface of the water, float a little, then disappear as a trout rose amongst the ripples in the run and took it.

For an impressionable little boy it was an act of unimaginable and astonishing magic, a fish conjured seemingly from nowhere. This relatively simple, deliberate and entirely expected catch on the part of my Grandfather caused a radical and entirely unexpected transformation in my childish opinion of him. I moved instantly from fear to fascination. I was six, he was a caster of spells, so I naturally concluded that he was, very obviously… a Wizard.

I begged him to teach me the magic, and, as I grew up, he did. It was of necessity an inexact, imperfect, ad hoc sort of instruction but it was a gift from Grandfather to Grandson of almost inestimable value. I think he knew that…me? I had no idea and he died long before I realised.

————————

Of course we all know that magic tricks do not happen by accident. They are repeatable, infused with purpose and completely within the control of the magician. Their objective is to deceive, just as ours is to deceive a trout in the stream when we fish.

Whilst, hopefully, we do not seek to actively bamboozle our clients in quite the same way, our lessons too are not, in many respects, significantly different to a well executed trick. If we structure and objectivise them properly then we too may surprise, amaze and delight.

Useful objectives should be observably measurable as far as is reasonably practicable and when we pick them they should be within the power of the student to achieve.
Appropriate selection of these achievable objectives allows students to build a succession of small but consistent learning wins. Each win a learned skill and each learned skill used to develop a new one and/or reinforce an old one.

For an instructor teaching within a “whole, part, whole” schema, it becomes critical to select suitable objectives so that common faults can be actively taught out without introducing negativity to the process. By doing this, within reason of course, new skills can be made to compound and combine largely error free.

That there are objectives for a student is a given. What is not so obvious, or maybe just not so often admitted, is that there are personal objectives for the instructor too. Whilst we may all wear the ego boosting insignia of our qualifications, the official regalia and psycho-protective badgery cannot really mask the ghastly truth, which is that we all, (well, most of us), have the same wonky limbic system and full complement of cognitive frailties as everyone else. So, I too want wins because this gives me a sense of achievement and I know I will instruct better and my student will learn better in a teaching environment which is giving us both positive rather than negative feedback.

In this context, although we clearly need subsets of grimly practical casting targets, there is no need to be emotionally dry with more abstract over-riding aims. Instruction isn’t just about a perfect PULD (Pick Up and Lay Down) or tail free loop, a quintuple toe hauled Jelly Roll or a cast out to the backing knot, it’s also a little bit about making people feel happy.

As a goal, I have to admit that this is very easy to say, not as easy as I ever first imagined to achieve and very difficult to objectively measure. But, sometimes, just sometimes, when you have had to do your very best sorcery to make it all happen, when those casts pop out from the turmoil like my Grandfathers perfect little trout from the ripple in the run, when you are dancing in a monastery garden with a beautiful laughing woman or being hugged by a big beardy biker on a wet suburban rugby pitch when the lessons end, then, you feel happy…and I like that…my Grandfather would have liked it too I think.

Mark Surtees ☺

laura-palmer

Fly Casting with Laura Palmer

laura-palmer

~ Ein Laura Palmer film~ presumably named after everyone’s favourite girl-in-a-bag -at least that’s my guess- well, caught my attention. whether it has to do with an inexplicable interest in like-minded producers what give weird titles to their stuff combined with a good dose of fly casting… i’m happily digressing just to get to this: here’s a really nice, short and sweet video of Wolfgang Heusserer demonstrating an equally nice variety of single-hand spey casts.
Circle-C, Snap-T, Jump Roll/Switch cast, standard roll cast, wiggles and probably fourteen others i missed because i was too busy watching the line being first manipulated, then flying about. all the great presentation skills a river fisher should imo, have down pat.

not a how-to tutorial, this one’s just eye candy. more than the line dancing itself, we’ll notice how effortlessly every action is done. it looks easy and that easy is a sign of someone who’s worked a lot on their skill. i hope you’ll enjoy.

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the Light Saber at StinkyStream

lightsaber-stinky-stream-glasgow-campbell-m-fauvettlc-3-9-16

tech specs:
Light Saber- Epic 580 + Barrio GT125
StinkyStream- a small urban trout stream somewhere around Glasgow. it didn’t stink.
photo- Campbell Stuart
caster/fisher- me

A Revolution in Fly Fishing Films

found on Fly Lords facebook page, here’s a more than welcome change from the usual, virtually always the same, and getting boring as hell trend in fly fishing videos.
there’s no droning higher ground morals or self-validating or ethics speech. no fancy, costing an arm and both legs travel to what once used to be an exotic location nor brand names being hashtagged down our throats.
just a simple, normal T Rex catching a catfish with a fly rod: nice, nice and nice…   enjoy !😄

Once you’re finished sucking out the marrow

you can go all DIY and carve your very own EDC BoneFishing rod ! coming out soon will be a carbon-reinforced sinew reel to complete this outstanding outfit, until then, let’s enjoy something quite novel.

ps- note the complete absence of bone loading yet very nice and tight loops. it kinda makes one wonder why loading and unloading a fly rod is so often referred to as the end-all in fly casting.

Countless Reasons

we’re given thirty but after some thought the real numbers are unlimited.
there’s nothing to say that this short film by Berthold Baule and Martin Clemm doesn’t say on its own so please set aside nine minutes to watch it and maybe a few more to think about what you just saw.

this is very special, enjoy !

gary loomis - kistlerrods

Fly Rods- Gary Loomis on Rod Construction and Breakage

we’d already seen some insights on fly rods and how they break by Tim Rajeff- Why and How Fly Rods BreakUnderstanding how fly rods break but it’s always good to get varying thoughts and opinions from different rod designers and today’s little treat comes straight from someone who needs no introduction; Gary Loomis.

gary loomis - kistlerrods

in this article via KistlerRods Gary tells us about graphite blank modulus, what IM6-7 and 8 means, blank wall thickness and how all this combines to define rod actions and their strengths and weaknesses.
originally published in September 2011, that might seem like eons ago but apart from a few tweaks here and there the same principles are still around.
there’s no tech-geek talk and this is a most interesting read, here are a few excerpts.

“Loomis began by explaining that the identifiers IM6, IM7 and IM8 are the trade numbers used by the Hexcel Corp. to identify their product and is not an industry quality or material standard, although the Hercules Fibers produced by the Hexcel Corp. are the benchmark that most companies use to compare their materials.”

“What an angler needs to understand is how the word “modulus” pertains to graphite rods. Modulus is not a thread count, as many would have you believe. Modulus basically equates to stiffness.”

“But the misconception of brittleness still plagues them, and the reason for this is because as the modulus gets higher, the less material is needed and therefore used. This means that the wall thickness in the blank, which is basically a hollow tube, is thinner.”

be sure to click Gary’s big smile to access the complete article, enjoy !

'between the branches m.fauvet-TLC 11-2-16

Fly Casting- the Vertical Hoop drill

a lot of fly casting practise involves using rings, a hoop or any other object placed on the ground. this teaches us target distance acquisition and of course, accuracy.
the next step up from there is placing that hoop or something similar vertically and casting through it. (in her fantastic book Fly Casting Techniques, Joan Wulff offered the idea of casting through a car window and later varying the opening of that window by making it go up or down) this vertically-oriented target, or rather ‘loop passage space’ adds loop size to the previous learned skills.

what’s the point ? apart from variety, fun and a nice game to play with other casting nerds, learning to control loop size is really important when casting into the wind because a small loop takes up a lot less physical space and is less influenced by wind. casting into the wind needs a higher line speed as well and we can just add the extra line speed drill to the ‘through the hoop’ exercise.

the other very obvious reason is when having to cast with obstacles either in front of us or behind. those obstacles will vary greatly but maybe the most common are trees and their branches as in the pic below.'between the branches m.fauvet-TLC 11-2-16
this was a while back in deepest-darkest Sweden and if memory’s correct, the only available back casting space i had was a little tunnel about 1 metre and a half wide. i put this pic here as a reminder of how important it is to do the hoop drill on the back cast as well as in front. it goes without saying that turning around and aiming for the empty space is the only way this is going to happen with success.

 

this great little clip from Chris Morris shows the hoop drill in both real time and slomo. variances of the drill could be varying the casting distances, how much line is shot through the hoop, side casting with loops at various angles and when you get good at this, casting at an angle instead of straight on. (the hoop’s height remains the same but its width ‘ovals’ and narrows, for lack of a better physics term) that one’s tricky !

practise never really makes perfect but it always makes gooder so here’s hoping this will inspire a few to do just that. enjoy !

greenwave m.fauvet-TLC 3-2-16_edit_edit_edit_edit

Mystery Casting Pond X

this little farm pond has had many names in the past. it started as Mystery Pond X but that’s so common it was regularly confused with all the other Mystery Pond Xs around the globe so i had to get a little creative.
it used to have stocked rainbow trout in it so Lake Trouto seemed to make sense, at least in a non-confusing yet highly mindless and tacky way. the owner, a very kind, gentle and very old man whose nose is the same colour and size as a basketball stopped stocking trout a while back and the ones that where left-over eventually turned into food for furred, winged and slimy two-legged creatures but there had always been grass and common carp in there so Trouto turned into Carpo.

Lake Carpo sounds cool but after ten or so, yes, ten or so years… i’ve yet been able to properly hook one of these scaled giants. i did foul hook a grass carp whilst targeting trout years ago but it broke off the tippet in about as much time as it takes to say Lake Carpo three times really quickly. the carpers out there will scoff at my lack of success but that’s something i can live with. i’ve caught plenty of carp but just never in this little ghost carp pond-hell and that’s ok too because maybe that’s what will make Carpo so memorable.

next up was the small yet always fun and forever beautiful perch that seemed to thrive in there. i’d had several 50+ perch landing days with a personal best of 76 but they seem to have teleported themselves wherever it is that perch teleport themselves. i almost forgot, at that stage the pond of course took on the Lake Percho nomenclature. normal.

i’m probably wrong but for the moment i consider this pond to now be fishless to the point where i still go regularly to practice my casting but don’t even bring any flies to not be distracted if some fish happened to magically appear.
you got it, things go full circle so in a fit of total lack of renaming creativity, this little cutie has a new name:
Casting Pond X.

greenwave m.fauvet-TLC 3-2-16_edit_edit_edit_edit
this is the back view at CPX. funny, i’d never noticed how beautiful it could be…

Alex Titov 'drawing a fish' 27-1-16_edit

Fly Casting- Drawing a Fish

graciously sent in by London-based casting colleague Alex Titov, here’s some lovely fly line art in the form of a fish.
fly fishing, there’s so much more to it than simply catching…

Alex Titov 'drawing a fish' 27-1-16_edit
thanks Alex !

Krieger's Haul drill mono loop m.fauvet-TLC 5-1-16

Fly Casting- A little more on the Double Haul

as a follow up to yesterday’s post Explaining the Double Haul, friend and instructor colleague Craig Buckbee a.k.a. EasternCaster offered a brilliantly simple addition, something every person of any level of fly casting can really benefit from by keeping in the forefront of the mind when practicing the double haul:

“The rod hand initiates the cast, the line hand finishes the cast”

that simple statement/mantra-to-be-mumbled-over-and-over actually says/implies a lot about great hauling form and great casting in general but there’s a few more things to add to this topic so i’ll just leave it at that for today and encourage you to not only try it out but also think about it for a while.


as for this somewhat cryptic image, here’s a minor tip that came in handy to help solve a little issue a casting student of mine had during a course a few months back. i know its a little off-the-shelf but if it can help someone else then it’ll be well, just great.

the situation: this gentleman had been falsley lead to believe for many-many years by a bunch of bozos that the double-haul was a ‘specialist’s’ technique only to be used by the elite to cast very far… and as a result and as primarily a river trout fisher, had never learned to haul but heard the contrary here and there and was keen to learn.
Krieger's Haul drill mono loop m.fauvet-TLC 5-1-16
by far, i prefer to have students use the type of gear they’ll be using in their ‘everyday’ fishing but he was having a little trouble getting the right feel and timing for the feedback so i pulled out my Mel Krieger Hauling Reel backup (it’s a shooting head with a mono shooting line – see the video below) and included Mel’s drill as part of the afternoon’s tasks.

this started off really well for those specific difficulties and after a few minutes they where almost a thing of the past however, whether it was his aging hands combined with the thinnish shooting mono or, 20-30 years of being used to slipping line through the fingers whilst false casting reflex, the end result was an excess amount of overhang after each casting cycle and as anyone who’s cast a shooting line knows, there’s only so much overhang possible before things start to get nasty, ugly and frustrating or in other words, this was turning into negative, unproductive time spent by the student.

since there’s no actual line shooting involved in this drill and after noticing how line slippage was quickly becoming the centre of his attention instead of the key elements (and also noticing how i was starting to sweat whilst trying to find a solution quickly… ) i decided to eliminate the impedment by cutting the shooting line at the correct overhang length and tie a simple loop knot that could be easily held.
line slippage became impossible, focus shifted back to the task and after a few minutes, the beginner hauler became quite proficient. enough so that when he re-installed his ‘normal’, thicker, non-slippery line back on the rod, everything went fine and dandy and the Mister left a happy-hauling camper.

in novels and movies i really like it when the hero gets her/his brains blown out or the couple ends by a grueling divorce but when it comes to casting lessons, a happy ending is always a win-win.

and as another happy ending, here’s Mel ! enjoy !

Fly Casting- Explaining the Double Haul

by Stefan Siikavaara

originally written in 2009, here’s an interesting approach on the subject that stands up well to time. intended for casting instructors, this ‘frame of mind’ or maybe ‘perspective shift’ should be of  interest for fly anglers of all levels.

when talking about or teaching the Double Haul we tend to simply say “it speeds up the line” and often just leave it at that. Stefan digs a little deeper and i thank him for it.

“You want to keep it simple while teaching, but this is sometimes easier said than done. While teaching you sometime get really tough questions from your students. I’ll give you an example: I’ve been asked a few times about what the doublehaul does to your cast

When I get this question all sorts of things go through my head. I am thinking about what I read in Mac Brown’s excellent book, Casting Angles. The haul is a necessity to master because it enables the caster to conserve energy throughout the fly cast. It entails putting all the various casting fundamentals together for a cumulative effect of attaining higher line velocity on the stream. The line hand pulls on the line. This causes the rod flex to increase which leads to greater rod deflection.

I am also thinking about a great essay in physics that doctor Grunde Løvoll published a while ago. Mr Løvoll’s findings show that the catapult effect, the actual unbending of the rod only equates to about 10% of the total line speed in a cast.

Among the other things that go through my head are a few of the traditional views of the double haul. That it increases the bend of the rod and that it also reduces slack line in the cast.

I am tempted to answer all of this. But as you already figured out, these explanations question each other. On some points they even contradict each other. And most importantly, handing this big package over to my student is not simple enough; therefore it is not good enough.

Let’s have has closer look at them. My conclusion of Mac Brown’s explanation joined with Løvoll’s findings is that the haul gives additional speed directly to the line. I like it, let’s leave it at that.

If I would go for the traditional view of the haul reducing slack in the cast I would risk planting a casting fault in my students head. Why is that you ask? Well, if there is slack in the line it would most likely manifest itself the most early in the cast, while the loop is unfurling or after the line has turned over. The idea of using the haul to reduce slack would incite starting the haul early. Well, if I start the haul early I risk finishing it too soon. And what would that give me? I run a considerable risk of adding a tailing loop to my students cast with that explanation.

So, all these things buzzing in my head and the student still waiting for an answer to his question: What does the double-haul do to my cast?

So what do I say? Do I go for the technical explanation or do I go for a traditional description? This student had not read all the literature and joined in on all the threads on the internet boards. He just wanted to brush up his casting for hunting seatrout down the Swedish coast.

No, instead I’ll choose an explanation by Lefty Kreh that I think sums them up: The line hand is the accelerator. You drive your car, you shift gears and you press the accelerator. You start your stroke, you speed up and then you haul.

Being able to abstract and condense a huge amount of information and different theories into a short and simple answer proves that you really know your stuff. Read everything, evaluate everything and learn from it all. But keep your explanations clean and simple. The mark of a great teacher as the late Mel Krieger is to make complex things simple. Use few words, use your body language, use examples that your student can relate to. Keep it simple.”

giphy

Fly Casting films- An experiment in White

having recently aquired a decent video editor has lead to a lot of playing around, a lot of confusion, a lot of “what the hell, click that button to see what happens !”, a lot of D’Ohs ! and so far, at least one ah-ha ! and that ah-ha is visible in this little gif.

see, that’s a standard black carbon fibre rod but one of those random clicks magically turned it into a glowing white, extremely visible, just perfect for demonstrating how fly rods move throughout the cast, rod.
a lot of us casting instructors already have white or high-viz rods for just this purpose but the magic button brings the visibility up several notches, really attracts the eye and will enable me to get the same after-the-fact high-viz rendition with anyone’s rod making this gizmo a super-nice tool to demonstrate and analyse anyone’s casts. yup, that’s all quite geek but i’m a casting geek… so i’m also quite excited ! as this magical surprise gives me lots of ideas for upcoming casting videos which is why i got the editor for in the first place.

technically, i’m somewhat of a digital editing newb but the old-school photo student in me tells me the rod turned white through some kind of solarization. why the magical button decided to reverse the tone of just the rod and not other similar dark tones is a complete mystery but one i’ll live with as i love a world filled with an equal balance of magic and science.
as for the cast, this is just some old random footage used for the editor-learning process. the seemingly random rod wiggling is a C pick-up towards the left followed with an aerial Snake roll to the right. being a metre or so above the water level doesn’t help to get an ideal anchor but it worked just fine. besides, casting just for the sake of casting is always fun and rewarding. funny thing with this one is the reward came several years later.

double-wind-knot

the real problem with ‘wind’ knots.

wind knots‘, that’s the denialists‘ term for casting knots and no, they’re not just made by tailing loops or outrageous casting faults but today’s reminder isn’t about the causes of these knots however embarrassing or annoying they may be but of their consequence.
in other words, these knots kink the mono and greatly reduce the original breaking point of the monofilament material they’re made of.
as we’ll see in Simon Gawesworth’s video, percentages on specific materials vary but generally speaking, that reduction is approximately 50% and that puts us in a very precarious situation if a fish takes our fly because well, we’re left with half the strength threshold we originally counted on.
to make things worse and if i understand correctly,  Instron-type machines used to register elongation and breaking strains do so in a steady, smooth, pulling manner but fish tend to not follow the same procedure…
although i can’t prove this with numbers i’m very certain that sudden tugs and bursts of strength means our knotted lines will be even weaker relatively speaking than those 50 or so %.

double-wind-knot

apart from the denialists, these knots happen to everyone at one point or another and if we want to not get into trouble and leave hooks in fish mouths, there’s only one remedy and that’s to regularly check our leaders and tippets, specially if there’s the slightest doubt or after an obvious yucky cast.
– no knots, carry on as usual.
– find a knot ? is it loose as in the pic ? just undo it and just to be sure, check for kinks.
– did it tighten/seat ? cut it off and rejoin the two pieces.
– if the knot’s too close to the fly or other ‘good’ leader knot, just replace the whole piece and you’ll be able to fish in peace.

%22power snap%22

better Wading through Yoga

for most anglers, this is about as close to any kind of exercise as they’ll get…

%22power snap%22

but fear not ! and even though i know for sure 99.9% of you will just laugh and scoff the mere idea i’ll reach some sort of blogger’s nirvanaish bliss if just the 0.01% can relate you can still work on your ‘power-snap’ and also become a little fitter or at least live with a little less pain and have a freer movement range that’ll of course make your days on the water better and also improve your posture, tv watching experiences, driving comfort, your work day, gaming, sex and all the other trivial things in life thanks to a few rather easy stretch routines.

forearmplank
Forearm Plank (think of it as full-body SLP)

“Colorado lakes and rivers lure fly-fisherman with natural beauty, peaceful waters and hard-fighting trout. But, as serene as fishing may be, overuse injuries are common. Many anglers complain of pain in the shoulder, elbow and wrists that can last for hours or even days after a fishing trip.”

A number of factors lead to overuse injuries. Casting technique, rod weight, rod design and physical stance can all affect the likelihood of developing overuse injuries. For most anglers, some amount of pain is difficult to avoid. But just a few minutes a day spent opening and strengthening the shoulders, elbows, forearms and wrists will help avoid overuse injuries.”

have a beer or three, don your waders and click either pic for the complete article while trying not to break anything in the process. enjoy !

upplank
Modified Upward Plank – “Push it all Into the Clouds”
gorilla
The Gorilla ! grunting is recommended.

Fly Casting- Practice with a purpose

shared here with Walter Simbirski’s kind permission.

Walter is an IFFF Master Certified Casting Instructor quite active in several fly casting discussion groups and today’s wise advice is taken from one of them. intended as a helping guideline for casting certification candidates, the very same advice is invaluable for any fly angler wanting to up their game.
most reading this won’t be preparing an exam so simply replace words like: exam with whatever fishing situation you’re working on- saltwater flats, high-altitude mountain streams or simply your favourite everyday fishing spot and switch the noted distances to the distances you’ll need and you’ll see that this advice indeed fills everyone’s bill.

we’ll instantly recognise that it’s all just common sense but we fly casters/anglers tend to be an easily distracted, unorganised lot… so, a little reminder can only help. enjoy !

ed_mosser_strobe_photo casting

“We’ve talked about training rather than straining in order to avoid becoming injured. The next advice in the area of practice is learning to practice with a purpose. The goal is to make the most of your training sessions by continuing to avoid injury and to practice the things you need to practice in order to advance your skills. The things to keep in mind when practicing with a purpose are:
– Set up a plan and stick to it. If you are going to practice your accuracy casts regularly then don’t let yourself get sidetracked by beginning every lesson with distance casting.

– Concentrate on the things you need to improve, not the things you are already very good at. Each of us will be different in this respect although virtually everyone will begin with learning to control their loops. Are you able to consistently cast over 85 feet and make it look easy but can’t seem to hit a target? Then you should probably spend most of your time practicing accuracy rather than distance.

– Start every practice session with some warm up drills. Make sure you are stretched and warmed up before getting into the practice session.

– Vary your practicing and forget what the test requires. Instead of setting up targets at 30, 40 and 50 feet try setting up targets at different distances and at different angles rather than just on top of your tape. If you can consistently hit targets at any distance up to 50 feet then you will have a lot more confidence in your ability to perform this task during the test. Some of my fellows take a number of tennis balls and toss them out onto the field as their targets for their practice session.

– Don’t worry about meeting the minimum requirements of a task but concentrate on meeting the requirements with ease. You are required to cast 85 feet – is that your personal best? If so, then don’t count on adrenaline to get you across the line in the test. Continue practicing until you can hit 90 or 95 feet consistently with minimal effort and with the line landing straight.

– If one of your casts is giving you a problem then break it down into smaller parts and identify the things that are giving you problems. Fix these items and then put it all back together. You might recognize this as a form of Whole-Part-Whole. It works for your students and it works for you as well.

– Work with your mentor to identify the areas to concentrate on and what sort of practice drills might help you fix an issue.

– Set aside a time to practice each day stick to it. If you set a regular time you are more likely to stick to practicing each day. Make sure people know that this is your time for practice and that you should not be disturbed. But don’t let your schedule become too much of a habit – vary your times on occasion. If you become mentally conditioned to making your best efforts at a certain time of day you may find your test time is not optimal for you.

– Make sure you revisit the things you don’t concentrate on regularly to ensure you continue to improve or don’t backslide in those areas.

Train. Don’t strain.
Preparing for a casting certification test can be difficult because you need to practice a broad range of skills and it can be hard concentrate on one or two things. When I first began working towards becoming a certified instructor I printed out the performance test, took it to the field and worked my way through each task every time I practiced. After a couple of weeks I found that I spent about 10 minutes each session running through the parts of the test I felt mildly interested in and then spent the rest of my session trying to see if my distance cast had somehow improved from the previous day. Instead of my casting improving it became very sloppy. My loops were large and I was constantly ticking the grass. I was in no condition to attempt the test. At some point I decided that if I was going to pass the test I needed to concentrate on what was really required. Instead of spending every day trying to cast farther I concentrated on increasing the distance for which I had good loop control. If I started each session and found that I could easily handle the distance from the previous day then I added 1 or 2 feet for that session – no more than that. If I felt the loops weren’t up to my satisfaction I shortened the line until I felt I was back in control. By changing my practice methods I found that within a few weeks my casting, and my best distance, improved significantly. It takes patience but it pays off in the long run. Instead of running through the test every day you should run through it every few weeks to identify what things you need to concentrate on for the upcoming weeks. Select a limited number of items you think you can improve and stick to those.

One more tip – review your equipment regularly as well. Make sure you are getting the performance you need from the equipment you have selected and that it is kept in peak form.”