Stewards Of The River Or Pillagers ?

reproduced in full with Mac Brown‘s kind permission, here’s a rant but it’s a good thought-provoking rant.

aimed at certain professionals in the fly fishing industry and other, as Mac calls them, profiteers, it’s about fishery welfare in the warmer months where water temps are simply too high and oxygen depraved to responsibly fish species such as salmonids that are poorly equipped to deal with the situation in it’s natural state and even less when they’ve had to also deal with having been caught.

now, most experienced anglers will know that once the water temps reach 68°F/20°C its time to back off but that’s not always the case. for local fishers who live in warmer climes and care to know, it’s a given but what about the well-intentioned novice or not-so-well-informed fishers or, traveling anglers ?
as an example, when i lived in Sweden the concept was completely unheard of as water temps tend to always stay cool enough even when air temps can be quite -actually downright- hot, and i’m guessing the same example can be equally valid for anglers in other parts of the world and all that leads us to the ‘Stewardship‘ part which is everyone’s responsibility. in my opinion it’s not just about setting professionals and profiteers right (actually, shaming sounds better… ), but also of sharing this information with those who don’t know. experience has taught me that if we take a minute, explain things simply with a good positive attitude, nine times out of the ten the message gets through and it’s readily accepted and everyone’s happy, specially the fish.

thanks again, Mac. keepem’ coming.


This short piece is my attempt to increase awareness about problems facing many of our trout waters, in my region as well as many around the globe. In our hemisphere, high summer water temperatures stress the local trout fisheries, and should be a sign to concerned anglers that it is time to leave the stream for another day.

Independent guides and fly shops who book trips should be ardent advocates for keeping streams healthy. But often they’re not. Conflicts arise because the summer tourist season occurs when most of our trout streams become stressed. July and August for trout fishing in Western NC is the off season! When the early morning water temps approach 70 F, it is best to look for something else.

Warm water fishing for smallmouth bass, perch, bluegill, is a better choice. Carp is one of my favorite species to target during summer.

Shops and outfitters who tell you different are profiteers, not stewards of the resource. They look at the short-term, since even they know that trout caught in 70+ F water have a very dicey chance of survival.

These profiteers actually hurt the resources they claim to love and protect! This becomes an ethical decision for those customers that are hell bent on trying to catch a mountain trout during the wrong season!

If you want to trout fish in July or August for vacation then head to Montana, Wyoming, Idaho, or Colorado! Fly fishing has more appeal in recent years, and now vacationers throw it into the mix of rafting, horseback riding, zip-lining, mountain biking, hiking, and many other great activities the Smoky Mountains area offers. The difference with angling when it is too warm is that in no way can it be good for fish or angler!

Shops and profiteer guides should be offering clients a change of species during the hot summer months. Guides can teach learning to read water, casting, rigging, stream-side techniques, and a host of other aspects of the sport.

This might provide opportunities like targeting Chub for learning nymphing techniques through the middle of the day. Chub provide plenty of subtle strikes just like trout! Here is a trophy from a few days ago on one of my favorite streams in the Great Smoky Mountains National Park with my 10-year-old son.

Excessive fishing pressure is an increasing problem on many delayed harvest trout streams, due mostly to the increasing number of new fly fishers as well as an excess of fishing guides and outfitters. There is a big difference between how much room to leave fellow anglers on a Delayed Harvest stream versus a wild stream. The wild stream requires perhaps a mile or more out of sight. On the Delayed Harvest stream that may be only a 30 feet. Delayed harvest waters receive many numbers of trout that tend to stay together when they are first stocked.

Often, local guides work when and where they can, through shops or other outfitters. Part of the issue is that these guides’ experience levels are all over the place. In my region, The Smoky Mountains, there are too many fishing guides. An Ozark term my grandfather used to say is “the market is glutted.” Many shops and outfitters just look for bodies to fill slots on their books, regardless of experience and knowledge of the area. In my area, guide prices range from $80 to well over $500 for the same trip on the same water.

The difference of what you come away with learning and also catching is quite obvious if you really do your homework first. In fly fishing especially, you get what you pay for.

Most area tourists would hope the local shop will give them credible information. And this is typically true in the Western states for the hundreds of reputable shops.

But, in my opinion, the Southeast is a circus show, with the exception of a few quality shops. People pay hard-earned money for a quality trip. The older I get, the more twisted our sport seems to be growing.

And it’s happening all over the globe. Social media — like advertising on Google Ads, Facebook, Instagram — can enable anyone to compete for clients in their region or create a website or blog by paying SEO experts for internet exposure! I am sure you have all heard that if it is on the internet “it must be true”!

The important question folks should be asking is can the instructor teach casting and line control to provide a drag-free float? Can they teach techniques that will stay with you for a lifetime of enjoyment fly fishing? Will your trip have guides that are enablers to improve your overall skill set on the stream? Will it be a mundane afternoon of bobber lobbing with hearing only the words “mend it, mend it again, mend it” rather than adjusting to the rigging and tactic appropriate for the moment?

Another important question –, regardless of skill, teaching ability, qualifications, certifications, does it even matter to the client? Is it only about who is the cheapest price overall? So this Disney approach to the sport is something that will take me a while to get my head around since I have pushed hard for very high quality trips for close to thirty years now.

It seems to me that down the road this has to “Make America Dumb Again” in regards to tourism fly fishing mayhem.

Mac Brown

Fly Casting Terms

another real gem for us shared here with Mac Brown‘s kind permission.

casting terms

first published in 2009, this is most certainly the most comprehensive list there is. beyond the definitions themselves there’s a whole lot of food for thought borne from an enormous amount of experience both on the water and whilst studying how fly casting works leaving us with not only the obvious written but also a lot to read between the lines for the inquisitive and creative fly fisher/caster.

titled as fly casting terms, we’ll notice how Mac’s list delves deeply into the not-so-usually talked about world of 3-dimensinal casting and presentation line layouts. we’ll also find a whole host of fishing and equipment definitions as well; there’s a little something here for everyone and it’s all yummy. (even if it gets super-geek at times but that’s a necessity as Mac’s on a whole other plane compared to most !…)
i’d recommend taking your time, chewing slowly and let it all sink in one mouthful at a time. bon appétit !


” These terms are not set in stone. I have modified many of the terms I use when teaching over the years and am always looking for better ones. These terms below have served me well for my own personal learning curve and in teaching over the years. Most of them I came up with when organizing my text, Casting Angles in the early 90’s. These are ongoing and always subject to changes and amendments. I believe that the terms below can be used to teach all styles of casting and have enough tools for discussion of mechanics for specialty casts. When teaching, we often have revelations that seem like they move us through dimensional leaps of faith into new discoveries. When we can get a global recognition of terms commonly used in the sport, it will no doubt be much easier to get instructors on the same page.

I realize that most folks do not need to even witness these terms for their own casting. The casting geek lingo is helpful among instructors and educators of fly fishing. There has been so much offered over the years in dealing with the straight line casting stroke that in some ways I feel this has stagnated the general casting public. You can not use two dimensional terms and models and apply it for the real world of fishing casts (regardless of single or double handed rods). The trend here in the states is to call all of the 3D, constant tension casts, live line cast, etc.. and lump them all into the world of spey casting. This is a tragic mistake for the next generation of anglers throughout the globe if we continue on this path. It is essential that organizations globally break away from this two dimensional ideology for fly casting because it is very limiting on the water (as well as teaching). It is my sincere hope that something in these terms will cause curiosity to increase with your own casting and or teaching. “

Casting Terms

180 Degree Principle: The aerial back cast or D loop is made in a straight line exactly 180 degrees opposite from the target. Useful for straight line casts for distance and accuracy.

Acceleration– The rate of increase or decrease in velocity, magnitude, or direction.

Active Presentations– A presentation when the fly moves at a different rate from the current in which it travels so the angler may represent the food organism’s behavior. Active presentations impart an erratic change of direction, magnitude, and velocity to the selected imitation that closely mimics the natural organism’s state of being.

Anatomical Advantages– Diagnosing the weaknesses and strengths of the body parts and how they apply to the mechanics of the casting stroke. Many casting styles make use of various individual physiques.

Anatomical Position– The position of your body when standing upright with your arms at your side, while your palms face toward the same direction as your body.

Anchor– The anchor is typically the fly, leader, and a tip section of line that is positioned close to the caster (often a rod length away and in line with D loop and forward cast) prior to delivery. Shorter cast uses less anchor and a long cast uses more line for the anchor.

Angular Thrust-The casting stroke is a combination of the whole body involved for applying force to the rod. However, all casts involve using one or more combination of six different wrist positions (see directly below).

Angular Linear Thrust– A concept for describing the rod hand always remaining parallel with the forearm. The basic vertical foundation cast (most commonly taught) is an example of angular linear thrust. The motion includes usually either wrist abduction or adduction.

Angular Perpendicular Thrust– A concept for describing the rod hand’s perpendicular relationship to the forearm. It encompasses both wrist extension and flexion. This is often performed toward the completion of the casting stroke and line manipulation.

Angular Rotational Thrust– The circular motion applied from the forearm during the cast or mend. The motion is performed by varying the thrust force in which the forearm rotates (pronates or supinates) clockwise or counterclockwise.

Back Cast – A description that usually has the fly line cast opposite of the target area. It changes as well to other directions depending on obstacles, wind, or other change of direction fly line setups.

Bag of Tricks– The complete knowledge of understanding and ability to master several varieties of casts which aid the angler in challenging scenarios. It includes the full spectrum of control and force used for fishing casts.

Body Plane– The body plane refers to the positioning of where the rod and line is used while performing casts. The positioning around the caster will be a measurement of degrees always in a clockwise direction with 0° always directly in front of the caster (see also on–side and off–side).

Cast– The projectile loop motion of line created by varying the amount of force during the stroke that is applied to the rod by the caster. This dynamic motion propels the fly line, leader, and fly to a specific position on the water.

Casting Analyzer– A tool invented by Noel Perkins and Bruce Richards used for looking at the smoothness of applied force during the casting stroke. It also measures the symmetry for the back and forward casts for casts that are translatory. It also contains data of elite casters to compare your application of power with many of the greats. (the castanalysis.com site originally linked to this article is no longer accessible)

Casting Arc– (also Casting angle) The angle of rotational change of the rod when making the casting stroke. For many years arc was described as clock face positions.

Casting Cycle– The complete motion of implementing two casting strokes. Usually this is referred to as a back and forward cast. It could also mean two back or two forward cast. Casting cycle varies according to tempo for dealing with obstacles.

Casting Mechanics– A study of force and motion during and after the casting stroke. The force and motion are so completely interrelated (like braids of a rope) that neither can be defined independently from the other.

Casting Planes– Casting planes include all of the various airspace the rod and line are worked through a three–dimensional space around the caster’s body (see rod, loop, and line planes).

Casting Stroke– When the angler applies force to the rod to form a loop of line. This includes hand path and casting arc.

Closed Loop– Refers to a loop in which the fly leg crosses the rod leg during the cast (also called a tailing loop).

Complete System Forces– A concept for viewing all of the internal and external systems in unison (big picture), and the relationship of the interaction of forces present on the objects of the system.

Concave Rod Tip Path– A U-shaped rod tip path where the rod tip falls below, then rises above the effective straight line path (SLP) of the rod tip. May be problematic for causing higher chance for tailing loops (depending on application of power). Most common cause for this shape is applying force to the rod too abruptly or too early in the casting stroke.

Conservation of Energy– The sum of the potential and kinetic energy within the system remains constant for the complete system. The gain of kinetic energy must equal the loss of potential energy in any process of the system.

Control– The intended application or lack of force to achieve a desired line layout. A full range of control includes the concept of application of negative force, normal force, and positive force, as well as the usage of all rod and loop planes. A higher understanding of line tension.

Counterflex-When the rod springs down at the completion of casting stroke (after RSP) toward the direction of the unrolling loop.

Coupled Plane Pendula– A series of three or more hinges that perform motion. This concept is useful for understanding how body hinges of the caster may apply force to the casting stroke for either translatory or rotary motion. It can also be used to describe the fly line loop unrolling during the fly cast. The line is cast through a specific plane and is coupled together with a series of frictionless hinges.

Convex Rod Tip Path– A domed shape rod tip path (windshield-wiper like path in extreme cases) that may result in larger loops. Negative casts (also called underpowered casts) often use a convex rod tip path for controlling large fly loops for curves.

Creep– An ill-timed (too early) forward drift movement of little power to the rod in the direction of the next casting stroke that reduces available casting arc and/or casting stroke. Creep is often labeled as a fault and is usually (but not always) unintentional for many casters. Creep typically increases tension of the rod leg.

D Loop-The D loop is a loop of line that forms behind the rod tip and it can be either dynamic or static. Usually Spey casts make use of a dynamic D loop. A basic roll cast often uses a static D loop.

Damping – a). A term that refers to how quickly a rod recovers to a resting position at the end of rod motion. b). Also used to describe the relaxing on the grip of the rod butt after the stop to minimize rod tip oscillations.

Dangle– The line’s position prior to the cast that is usually downstream of the caster.

Delivery Cast– The final cast that delivers the fly, leader, and line to a specific location.

Direction Altered Cast– A casting stroke in which the forward or backward cast does not end up in the same plane from which it started.

Double Haul– A line acceleration technique that increases rod load, tip speed, and line speed. It encompasses a haul on both the back and forward cast. Aids in keeping the rod tip straighter for a longer period.

Double Taper Line– A line that is tapered on each end and is uniform throughout the remaining length.

Downstream Wind– A wind that blows downstream.

Drag– a).The fly moving at a speed other than the current’s speed in which it is traveling.

b). Rod translation during early part of casting stroke that helps build momentum to the direction of the cast. It can be used to increase tension, take up unwanted slack, delay rotation, or assist casting stroke by starting to overcome fly line inertia. This has been called pull as well with some casting groups (see “Slide” also).

c). Casting geeks also refer to air/water friction on the coatings of fly lines.

Drift– a). Refers to the amount of drag implemented on the fly (sometimes called float).

b). A supplementary motion that takes place during the pause of the stroke for repositioning the rod. Drift also offers an advantageous position for shooting line at the completion of the casting stroke. Upward drift toward the unrolling line can also be an advantage for opening up the casting stroke and arc angle and makes it easier for shooting line due to rod position.

Effective Rod Length-Refers to the distance from tip of rod to the butt of the rod. Useful when looking at video analysis since the rod is bent when performing casts. The shorter the distance of (ERL) equates to maximum load.

Energy– A concept for the capacity of an object to perform work. Examples include potential and kinetic.

Enlightenment Casts– Creative and imaginative uses of various actions when performing the casting stroke. To gain an understanding on the full comprehension of the problems involved and their solutions on the stream.

External System Forces– A concept used for describing forces exerted to the objects of the internal system. Examples include gravity, surface friction of water, wind, diverse currents, obstacles surrounding the caster, and more.

False Casts– To implement multiple casting strokes without allowing the line to fall to the water or ground level.

Feed Lane– An area where food organisms are heavily concentrated in the water current.

Fly Leg-The part of the unrolling loop that contains the fly end to the center of axis of the unrolling loop (accelerating part of loop).

Follow-Through– To move the rod in the direction of the unrolling loop. It can accomplish easier line shoots as well as extending the overall distance of the haul. Follow-through may be either a form of drift or casting stroke.

Forearm Pronation– The rotation of the forearm in back from the anatomical position.

Forearm Supination– The rotation of the forearm in front when the palm faces opposite of the anatomical position.

Forward Cast– A cast that usually travels in front of the caster, but direction is often, but not limited to, a position in front of the caster.

Grip– a). The handle of the rod usually made of cork where the angler pilots the rod. b). Many various grips used to hold the rod depending on what you are attempting to accomplish.

Hand-Rod Path– A concept used for describing the path and distance that the rod hand follows when performing the cast. These paths include simple geometric patterns such as straight lines, circular, elliptical, triangular, and smooth curves.

Haul– A quick tug on the fly line with the line hand usually performed during the last half of casting stroke (used also with various timings for specialty casts).

Imitation– The fly pattern (also called the artificial or fly) attached to the end of the tippet. These typically include wets, nymphs, dries, and streamers.

Inertia– A property of matter by which it remains at rest or in uniform motion in the same straight line unless acted upon by some external force.

Initial Velocity– Refers to the velocity at which the rod begins the casting stroke.

Internal System Forces– The interaction of the mechanics on the objects within the system and the relationships they exert on one another. The internal system includes all components of the caster and the equipment used in performing the cast.

Kick– The abrupt, rapid or sudden turnover of a fly, leader, or fly line at the end of the loop becoming straight. Can be caused by overpowering a cast, having too much weight at end of leader, or by having no leader or a shortened leader. Positive casts make use of kick for driving a nymph down vertically into the water or when making curve casts.

Latent Rod Force– The slight potential energy (spring) of the rod when casting.

Layout– A concept used for measuring the displacement (initial positioning) of the imitation, the leader, and fly line following the casting stroke.

Level Line– A fly line that is a consistent diameter throughout its length (no taper).

Lift– A vertical form of sweep to lift line from the water prior to the the next line positioning move or casting stroke.

Line Hand– The hand that controls the fly line between the reel and the stripping eyelet. Example, if you cast holding the rod with your right hand, then your left hand is also called the line hand.

Line-Pull Cast– All casts that implement a haul after the stop of the rod has occurred for controlling the layout. This increases tension on the rod leg and causes the fly leg to turnover quicker.

Line Velocity (Average)– A measurement of the displacement of fly line divided by the time which it traveled.

Line Plane– The angle created of the fly line in relation to the surface of water or ground.

Load– To cause the rod to flex when moving the rod during the casting stroke. The resistance of the line weight and increasing momentum against the rod, usually when the line straightens or other similar tension is applied to the line.

Loading Move– The progressive buildup of forces applied to the rod that takes place after the initial velocity and before the stop of the stroke.

Loop– A moving length of line past the rod tip where there is a distinct rod/fly leg. Takes on a candy-cane appearance for the unrolling portion of the fly line. Loop formation always has two strands of line (rod and fly leg), that either may or may not run parallel to one another dependent on translation or rotary hand/rod paths.

Loop Morph–The loop is always changing shape and size during flight depending on overall velocity, tension, mass displacement of the line, and transverse waves put there by the caster.

Loop Plane– A measurement in angles from the perspective of the caster used for determining the relative position of the fly leg in relationship to the rod leg during loop travel. The loop plane is zero-degrees at vertical and is measured clockwise 360 degrees. Controlling loop planes often have hand-paths that deviate from straight (typically curved hand paths during the casting stroke). Learn to control loop planes on top, below, away, and toward the caster when using the same rod plane.

Major Drag– The fly dragging at a different speed from the currents, due to the whole leader tensioning the fly.

Maximum Rod Load– When the rod is bent (loaded) the deepest when performing the overall cast, sweep, mend, and other dynamic line positioning techniques. Usually maximum rod load is close to equaling maximum fly line acceleration.

Maximum Rod Flex (MRF)– The increased force that the rod possesses when it is flexed to near its elastic limit. Longer hand–rod paths, hauling techniques, increased rod arc, rod planes, body planes, equipment used, and optimal load placement (line planes) all influence the maximum rod flex.

Mend– A form of sweep used for manipulating the fly line in air or water that usually creates slack or removes slack in order to achieve a desired result with line layout. Used for placement of line position that typically takes place after RSP.

Micro Drag– The fly dragging at a minute different speed and direction from the currents because the tippet of the leader has increased tension (also called hidden drag).

Momentum– The measure of motion for a property of matter that relates the line’s mass and its velocity.

Narrow Loop– A loop typically with the distance between the fly/rod leg of less than two feet (since the loop is changing this is just a rough average).

Negative Force– A reduction of the net forces applied throughout the stroke by either releasing slack into the internal system or decreasing the amount of force from the rod hand toward the end of the casting stroke. The loop never turning over through infinite casting planes is characteristic of negative force casts.

Non-Parallel Loop– See “open loop”.

Normal Force– The minimal amount of net forces required for performing the cast which attains complete turnover of the loop through infinite casting planes (the fly line should be a straight layout).

Off-Side– The side of the body where the hand holds the line. Off–side includes everything from the ground to the caster’s center of the axis.

On-Side– The side of the body where the hand holds and pilots the rod. Example, a right handed caster’s on–side includes all casting planes from the caster’s center of the axis to ground level on the right (note: this angle is greater than ninety-degrees).

Open Loop– A concept used for describing the appearance of position and large displacement between the fly/rod legs of the loop (also called a curved line or non-parallel loop). This is a casting fault if the caster attempts a translatory hand-rod path. It is normal for rotary hand-rod paths to use an open loop (most negative force casts).

Optimal Line Length– A distance of flyline the caster has the ability and skill level to control when making the cast. To find your optimal line limit, perform several false casts and find the line distance that you can control with confidence. Measure this distance of line and divide the total by the length of the rod used. Beginners may find it practical to mark this point with a permanent marker or attach a nail knot for a reference when performing the cast.

Optimal Load Placement– The placement of flyline on the back cast which distributes the line’s weight most efficiently for bending the rod deep on the forward cast. This placement is critical for allowing the rod to perform more of the work during the cast.

Optimal Reach– A measurement of distance for the path in which the rod hand may travel. Mark a dot on an object to the rear and another far in front for finding your optimal reach distance.

Overhang– The amount of running or shooting line between the tip–top and the rear taper of the shooting head or weight–forward line.

Parallel Loop Legs-Refers to the displacement of the fly and rod legs of the loop remaining parallel. Useful for accuracy and distance casting (highly efficient for loop propagation).

Passive Presentation– Presentations where the fly moves at the same rate as the current in which it travels so the angler may represent the insect in a natural manner.

Pause-The time period between accents of applied force to the rod. Many claim casting strokes, but we have slight pauses for lift, sweep, circle casts, figure eight, etc… (see also rhythm, timing, tempo, and syncopation).

Perpendicular Rod– The rod’s position at the completion of the casting stroke which remains close to ninety-degrees in relationship to the target. This position enables the rod to become an action on altering the tension throughout the line due to rebound (common with positive casts).

Pickup– A form of drift to slowly lift the line from the water before starting the casting stroke.

Pop and Stop– A concept used to describe the amount of force applied to the rod and when it stops during the casting stroke (like paint being flicked from a brush). Has also been called the speed up and stop, power snap, speed move, power stroke, flicking motion, positive stop, and others through various casting circles.

Positive Force– An increase of the net forces applied throughout the stroke and the loop always travels back around to the opposite direction of loop plane in which it was created. Used for positioning angles in the relationship of fly, leader, and fly line (control). Use of greater force than needed for a normal force cast. Characteristics of positive force cast make use of a narrow loop that travels fast.

Presentation– How one presents himself, the cast, the imitation, stealth tactics, equipment chosen; your cumulative knowledge of the complete system for the deception of the fish.

Prime Lies– Areas in stream that offer fish food and shelter from predators.

Rebound– Refers to the rod bouncing back after counterflex (at completion of adding force to the rod with examples of casting stroke, sweep, mend, etc…).

Retrieve– Any method which pulls flyline in through the guides while fishing for controlling the amount of line outside and away from the tip–top.

Reverse Thrust– Any force which is straight away and in the opposite direction of flyline travel upon the completion of the stroke. Examples include pulling the line, backing the rod up, or perpendicular rod positioning (latent rod force) as soon as the abrupt stop occurs.

Rhythm– The movement or fluctuation marked by the regular recurrence or natural flow of related objects to the system. The pace of a singular movement during the cast (line positioning sweep or casting stroke). Used to describe applied force during rod motion. Syncopation, timing, and tempo are a few examples that are encompassed by rhythm. Very important concept for any fly casting model for dealing with teaching advanced casts or line manipulations.

River Left– Is the left bank of the river when facing downstream. This is actually a boating definition that is useful for painting word pictures.

River Right– Is the right bank of the river when facing downstream.

Rod Action–A concept used to describe the features of the rod pertaining to where and how the rod bends when put into motion under load. Characteristics of rod action include but are not limited to frequency, stiffness, sensitivity, distribution of mass, dampening, and mcuh more!

Rod Arc– The angle of change when making the casting stroke (also called casting arc).

Rod Fade–A movement of the rod at the completion of the casting stroke downward toward the water or ground. Used to relieve tension on the rod leg and typically gain greater control over negative force casts.

Rod Hand– The hand which pilots (grips) the fly rod while performing the cast.

Rod Leg– The portion of fly line that runs from the center of axis of the loop to the rod tip.

Rod Plane– A concept used for describing the rod position during the casting stroke. It is a measurement of angles with zero-degrees directly vertical and plus or minus ninety-degrees parallel with the ground or water.

Rod Pointing– On the final delivery cast, the rod is pointed directly toward the target. Pointing the rod is often used while casting in the horizontal casting plane or when applying angular thrust to the cast.

RSP (Rod Straight Position)-A concept of the rod being straight toward the completion of casting stroke. Useful for video diagnostic of overall stroke.

Rod Wavering– The tip-top path of the rod moves away from the parallel reference plane throughout the stroke. The rod hand does not remain consistent for applying force in a straight line during the casting stroke. Rod wavering is used for describing faults in casts when the caster attempts to attain straight line motion (see tracking).

Roll Cast Pickup– A method of beginning the casting stroke in which the fly line becomes aerial to load the line in front and to break the surface tension bond of water. The pickup enables the casting cycle to be more efficient (shooting line on the pickup). It usually proceeds as roll cast pickup, back cast, and finally the delivery cast.

Rotary Motion– Motion occurring in a revolving manner which can be around a fixed point, a point in translatory motion, or a point in rotary motion which may serve as the axis of rotation.

Running Line– The long thin section of fly line that extends from the rear taper of a weight-forward line to the back end of the line.

Shooting Head– A short heavy flyline which that may be tapered or level which is not attached to a conventional running line. The running section is usually made from braided monofilament as opposed to thin flyline.

Shooting Line– a).The thin running line attached to the rear of the shooting taper which is also called a running line. b). The release of additional line to be pulled through the guides by the unrolling loop when the rod has stopped. Shooting line relieves tension in the rod leg causing the fly leg to turnover slower. Late or early shoots are also common for various control casts (also called slip line techniques).

Single Haul– A method of accelerating the rod tip and line speed that uses a haul on either the forward cast or the backward cast, but not both. It is usually performed on the forward cast.

Six Step Method– A very simple diagnostics tool used for instructors that was originated by Bruce Richards. It works by observing the fault in this order line, rod, body, to slip in with the correction of body, rod, line. Once you get lots of teaching experience you can use this tactic to quickly make adjustments. The real art behind it in teaching is to solve a couple of things that solve many. Often times new instructors want to solve many things at once especially with new casters that have many faults. Often a few subtle suggestions leads to progress for the student much quicker.

Slide– Rod translation during early part of casting stroke that does not alter tension when done correctly. When timed correctly, the rod hand and the line hand move back together (without rotation) hence no change in tension. This is what separates slide from drag (drag increases tension on the line). Both enable the caster to setup in a more comfortable or powerful position for rod rotation. Most styles that use drag also use slide first.

SLP (straight line path)-A term used to describe the brief period of time that the rod tip is traveling in a straight line. Smooth acceleration during the casting stroke and hauling the line help to achieve longer SLP (useful for straight line casting).

Snap Casts– A type of cast that propels the loop creation opposite the direction of acceleration. It is the inverse acceleration of typical casting strokes.

Stop– The butt of the rod stops to transfer the energy from the bend of the rod to the line leading to loop formation.

Spey Cast-A form of fly casting that takes advantage of change of direction casts through roll-type casting that remains in constant tension (also called constant tension casting).

Spline– The spline refers to the stiffer section usually on the back of the rod (usually opposite the guides).

Stance– The orientation of the caster’s body during the cast determined by the placement of the caster’s feet.

Stream Awareness-A concept that describes the anglers knowledge and understanding of the behavior, intricacies, and relationships of the stream flow and aquatic organisms and how they relate to the ecosystem. This is best developed through empirical lessons learned on the stream.

Stripping Eyelet– The largest guide on the rod that is also the first one from the grip.

Stroke– The complete casting motion performed by the rod hand that includes only one backward or forward cast, depending on the perspective. The pause is characteristic of the completion of all strokes.

Style– Includes form (such as hand, elbow, stance, etc…), descriptive word pictures for application of force or hauling, and many other unique methods used to achieve various loop shapes. It also includes ones effectiveness to connect with others for communicating these topics in a fun non-boastful manner. Mel Krieger offered the concepts of substance and style. As the sport grows it is a bit easier for instructors and students to convey concepts if we keep these separate.

Substance– Includes the fundamentals of timing, mechanics, all of the specialty fishing casts nuances, and many other key concepts. Sometimes there will be gray areas that have both style and substance. These examples are best stated by Krieger when he said “if you are very fortunate you will understand that the profound path towards teaching mastery gets two miles farther away for every mile you travel”.

Surface Tension– The relationship of intermolecular forces that exist at the surface of a liquid whose properties resemble those of an elastic skin under tension. This force acts heavily on the relationship of line on the water and emergence or egg–laying stages of insects.

Sweep-An action to position the line for the following casting stroke.

Syncopation– Syncopation is used when stressing a force in a normally unstressed location or a lack of force when it is normally accented during rod movements. It really comes into play for elliptical 8’s, snaps, and oval casting (but is very common for many things dealing with rod motion).

System Response Curve– A concept used for understanding the relationship of force and control for varying rod planes. It can be used to measure the system efficiency in explaining different casts.

Tailing Loop– Occurs when the fly leg crosses the rod leg and creates a closed loop (see also closed loops and wind knots). It should be observed past half way point in travel for the propagating loop (because many casts have crossover during setup of roll cast, distance cast, and others-these are not tails in the early setup stages). Since the legs can cross once, twice, and more is the reason for quantifying 50% of loop travel. I have yet to see one tail right at the rod tip that disappears before the 50% rule in flight (because the traveling transverse wave propagates down the line to the end). While it is true that many tailing loops are usually a fault, they can also be useful presentation casts for curve cast. There are many causes of tails but most of them stem from too early/abrupt application of force, line planes less than 180*, rod tip jumps above the oncoming lines path, improper haul timing, and many others. The fly leg wrinkle is the key for seeing the problem and you can easily go back to rod tip for the cause.

Tempo– The pace of the overall cast from start to finish. A beneficial concept to practice changes in tempo for dealing with fishing scenarios. As an example, a slow underpowered back cast static D loop followed by normal forward cast for missing obstacles right at your back. Practical for distance casting in taking tempo to the max for the amount of line carried.

Timing-The time period for each movement during the overall casting sequence.

Tension– Opposing forces that act on pulling the line apart. Make it a goal to really understand how your actions while making casts increase or decrease tension (very beneficial).

Three-Dimensional Casting Planes– A concept used for describing all of the air space around the casters body which the fly line and rod may be used in performing casts.

Tip-Top– The final guide at the tip of the rod.

Tip-Top Path– A concept used to describe the path that the tip–top of the rod scribes through the air when making casts.

Tip-Top Velocity– The velocity of the rod tip during the casting stroke.

Tip Travel– The total distance the rod tip moves when making a cast. This is the by product of casting stroke and casting arc.

Tracking-A term used to describe the rod tip traveling straight with out side to side wobble during the casting stroke (see also rod wavering).

Translatory Motion– A concept used to describe motion occurring in a straight line.

Transverse Wave– A transverse wave is a moving wave that consists of oscillations occurring perpendicular (or right angled) to the direction of energy transfer. One common example of a transverse wave occurs during rebound. Many specialty casts make use of transverse waves for presentations by initiating the wave pulse during the casting stroke which propagates down the fly leg for a desired result.

Upstream Wind– A wind that blows upstream.

V Loop– A V loop is a wedged shape back loop of line formed behind the rod tip that is more efficient than a D loop in flight. Offers greater load to pull against when timed with a proper anchor.

Vector Haul– A line haul method that manipulates two strands of fly line producing a two-to-one ratio for achieving deeper rod flex.

Vector Pull Retrieve– A line retrieval method that manipulates two strands of flyline at all times, as opposed to the traditional retrieval which pulls only one strand. One retrieval of line is equal to approximately twice your body height.

Vector Quantities– A concept used for describing a direction and magnitude that relies heavily on the logic of mathematical relationships for solving the resultant.

Video Capture-To use a camera for tweaking your own casting as well as diagnosing others.

Waltz– The transfer of the caster’s body weight from one foot to the other during the casting cycle. The shifting of the caster’s center of axis throughout the stroke.

Wave Speed of Line– The slight wave forms in the fly line during travel which is less efficient than straight line travel. These waves propagate quicker when tension remains high (see also Transverse waves).

Weight-Forward Line– A line that is tapered and consist of its casting weight distributed toward the front of the line, with the remaining line called running line.

Wind Knot– An overhand knot in the line or leader caused from a tailing loop during the casting stroke.

Wrist Abduction– To draw away from the body from an anatomical position.

Wrist Adduction– To draw toward the body from an anatomical position.

Wrist Extension– To draw away from the joint which increases the angle of the joint.

Wrist Flexion– To close the joint which decreases the angle of the joint.

A few thoughts on streamer fishing

shared here in its entirety with Mac Brown‘s kind permission.

it’s rant-o’clock ! but i don’t see it as ranting for the sake of ranting, more like a hey, lets kinda forgo the commercialism and sensationalism of contemporary fly tying/fishing for a while and get real about flies, fly design and fly fishing in general.
Mac’s parting words sum up how a lot of us feel quite well, enjoy !  “and remember it is more about your technique than the fly!”…

Bullhead-Sculpin-Gary Borger

“Streamer fishing has been around for a very long time in fly fishing. The workhorse patterns I used mostly as a youngster include the simplistic Black Ghost, Mickey Finn, Wooly Bugger, and Muddler Minnow. There are hundreds of new streamer patterns the past decade with so many new choices of materials. Many of the newer patterns have eye appeal more for the tying community than the fish!
A successful pattern is the one you can tie simply and fast and that is what I think is lacking more today than in years past.

A lot of egos at play in this game of fly fishing to think of lashing a different material to a piece of wire and a new invention that every one tries to get in a catalog for their pride basically. It is actually quite funny when you think about it.
Think about judging your streamer patterns by how many steps does it involve? Can you produce it in a short time period? Naturally color, shape, and size are also at play just like every other recipe in fly tying. The action of the fly may be important at times, however there are also times it really does not matter! I remember tying up some really bizarre streamer patterns in the mid 90’s when I capitalized on what I refer to as “impulse strikes”. These patterns made use of things like a silver beer tab glued to a hook or a piece of coffee cup Styrofoam attached to a hook. One material basically attached to a hook! They worked on many test occasions for trout just like the simple buck-tail streamers used in 1930’s. Keep it simple with your patterns and you will get more time on the water, which is always better than time at the vice as far as I am concerned.

There is no doubt that streamer fishing puts up the majority of really large fish throughout the year. It is also among the simplest technique to learn for a youngster. Both of my kids have had plenty of action at very young ages swinging streamers over active fish. One of the reasons it is the perfect technique for folks new to fly fishing is that the fly line remains under tension as the pattern swings in the current. When a fish strikes it virtually hooks itself!

Here are a few other streamers that have served me well over the years. The Bullhead Sculpin from Gary Borger (you can find it on his blog) is one of the best producers on the stream and is among the most simplistic patterns to tie. One of the best days on the lower Nanty a few springs ago had 6 brown trout to the boat while floating that all went over 6 pounds. Not a bad day to kick off the season since this is no New Zealand in Western North Carolina. We have to compete against hardware fisherman, worm drowners, and corn chunkers-many of our best tailwaters in the Southeast are open game with little regulation.
The acoustic footprint and color of the bullhead sculpin make it among my favorite overall streamer patterns! The other fly is a pattern I learned from Rich Brostic here in Bryson City back in the early 90’s. It uses only two materials which include black chenille body and an olive marabou wing as long as the hook shank. This simple pattern has caught thousands of really big fish all over the globe. You can tie it in under a minute at the vice. Mike Sexton’s “Blank Saver” is another smallish streamer that works great and deserves a row of them in your flybox! You can tie a ton of them in one evening!
I think over time folks progress to really big streamers that are articulated. I know I went that direction in the late nineties tying 6-8 inch streamers. The drawbacks of getting too big include air resistance increases may require a much heavier line. I am sure that over the years the one to three inch streamers have been the most productive. I have hooked many Muskie in western North Carolina when fishing for trout with three inch streamers.

Streamer fishing is all about movement so over time you will play with all kind of retrieval rates and mends on the water. Changing direction of the streamer through use of mends is more advanced but it often can be productive against a bank or differential water current. Play around with different fly line configurations and densities for streamer fishing. One of the most common mistakes I see is the overuse of floating lines used for attempting to catch big fish that hold near the bottom in big water. Build some high density lines that get your flies down where the fish are holding.
When fishing with other folks try to get your group to mix it up rather than everyone chucking thingamabobbers all day long! Your group will learn far more about a watershed throwing nymphs, dries, streamers, and wets! They will all produce fish. Bigger nymphs are often fished like a streamer just for the sake of mixing it up. Enjoy playing around with streamer fishing and remember it is more about your technique than the fly!”

thumbs up ! (and down and left and round & round)

friends, this is Mac Brown.
what he’s pantomiming for us is rod twist through both translation and rotation during the forward stroke.
pretty extreme i’ll agree but this is what presentation cast research and development brings. simply put, if we want straight line layouts we pretty much have to have rectilinear movements throughout the cast.
when we chose to deviate from the straight and narrow we’ll have to move our bodies correspondingly but it’s not just physical, it doesn’t happen if we have a rigid approach and thoughts about casting.

Mac is one of the most respected casters/instructors there is. when he talks people listen. he’s so far out of the box that i’m sure he’s forgotten one even existed, he and a very few others around the world have realized and fully embrace the concept that there’s a lot more possibilities to casting  fly lines than what even the most contemporary schools of casting can offer. sure, there’s probably limits but we believe those limits can be stretched and twisted.
it’s not pretense or hippy-shit talk. it’s simply curiosity and opening up to various possibilities in space and time and how we, the line and the rod fit in as a whole.
eventually, when the common perception of them as ‘circus casts’ wears off we’ll be left with a broader vision of casting possibilities. so much for the straight and narrow !

brainwashem’ young- Connor

this happy little boy happens to have as father one of the most respected fly casting instructors in the world. when Mac Brown speaks, people pay attention. Mac is on another plane compared to most and his input is always invaluable. looks like his input is working just fine here too !

“We spent an hour just casting with no fly -he holds the small Echo Ghecko rod like a 2 handed switch rod because he is still really small. 
we worked on mostly dynamic rolls and various pick-ups because that is what he needed the most to actually fish. he talked about it all last night and was quite excited for the big day !”

the big day’s result:
a big-‘ole smile and somewhere in that fathomless net is a brook trout, big congrats Connor ! watch out for this kid, folks…