for the love of water,

because after this short resumé of Mel Krieger’s life-long passion for fishing and helping others to discover this fascinating aquatic world, that’s what it all boils down to. thanks Mel.

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Fly Fishing Films
For the Love of Water

Fly Casting- Poetry, Grace, Fluidity and the S.R.B.

here’s a reprint of an article i wrote last year for Eat, Sleep, Fish ‘s issue no. 3 on fly casting.
i hope you’ll enjoy and even more benefit from these words. i also wish to thank Jim Williams once again for the opportunity of sharing these thoughts to a wider audience on this great ezine.



In my absence, having trekked off to colder climbs to run a dog race, I asked Marc Fauvet to come to my rescue with this month’s casting article… suffice to say the man has delivered – and how! … Not with the normal ABC of a fly cast but some physiology… Thanks ~ Jim Williams

As fly fishers we’re always going on about this or that piece of kit, the best rod, line, reel or whatever new goodie and how they’re going to increase our fishing performance, but you’ll notice that the most important element is always left out: The Caster
Ok I’ll agree, it would indeed be a little strange to go to a pub and start telling your mates all about your wrists, biceps, thighs and heaven forbid, butt cheeks… but if we step away from that silly image a bit and consider that fly casting is about putting a fly rod in motion while applying forces to it through body movement, we’ll realize that not much good can happen if we don’t move the rod correctly and as far as we are concerned ‘correctly’ is directly related to the all important smoothness that makes or breaks fly casting.
Poetry, grace and fluidity are often used to describe fly casting but I’m sure that if you take the time to look at other anglers while they’re casting you might think twice before using those lovely words to describe what they’re doing.
So, what might be the number one cause to this less than gracefulness? My observations and experience says it’s tension. Body tension. Tension that was in the system before the cast even began.
Tension has many forms. Life and work stress, competing with your friends for the biggest fish, the excitement of finally getting away for the trip that took so much hard work and saving to get to. You name it, there can be a multitude of reasons and it’s quite certain that they’ll combine at one point or another but the one I want to focus on today is the tension related to stance and more specifically, stiffness through improper stance. By stance I don’t mean it in the usual casting terminology of right foot or left foot forward or both feet square to the intended casting direction but rather the dictionary’s definition: ‘The way a person stands, especially when deliberately adopted’ or alternatively, posture.
Let’s see what stiffness does and how a few simple suggestions can greatly reduce these negative effects.
Stiff bodies just don’t move well. We will one part to go in one direction, and another wants to pull it back.
Stiffness constrains. Being constrained yields complete opposite results than those lovely three words we cherish so much. Stiffness also promotes pain, fatigue and hinders recovery.
The idea is if we relax some of our muscle groups instead of tightening them up, we’re more fluid, comfortable and in better control of all our movements.
We’ll be able to disperse the work force and use more muscle groups instead of just a few. We’ll let the bigger muscle groups do most of the work and use the smaller ones to refine those movements. We’ll bend, twist and straighten better, all the while being smoother and more precise in the way we move our whole body.
This leads to not only performing better but this also reduces the possibility of cramping up and injuries from over-exertion and repetitive motions, ailments that are not exclusive to but are quite common amongst those of us who aren’t so young anymore or who have some impairment such as back problems or arthritis.
Now for the good part. It’s easy and we can all do it. It’s not very high tech but it has worked to great effect on just about every student I’ve suggested it to,
It’s called the S.R.B. (State of Relaxed Butt) so let’s start relaxing those cheeks !

Ok, hopefully you’ll have stopped giggling by now so we may resume !
The SRB thing is quite simply combining a slight flexion of the knees and relaxing the butt muscles or Gluteus Maximus, our biggest muscle group who’s main function is to help hold our torsos erect. This last information should give a clue to its importance for our purpose and why this area is the core of this method. Of course we want to stay upright but we want to do this without ‘pushing’ up. Because of their size and role, we tend to gather a lot of tension in this muscle group through unconscious pushing-up resulting in spine and leg stiffness. Take that tension away and we become swaying, dancing springs. Springs ready to smoothly and precisely jump into action!
Another aspect of this relaxed position is that it also leaves our bodies in a ‘ready’ position. Ready to move and ready to react, something once again, a stiff body has a hard time doing.
A slight flexion of the knees helps maintain the torso in a more upright position further increasing our stability and flexibility, not only in vertical and back and forth movements but also in torsion as when looking at our back cast when casting between branches, going for distance or when doing Spey casts.
If we take the examples of skiing, golf and tennis, sports whose flexion movements are often assimilated with fly casting, we’ll note that none of these are performed with locked knees or backs. If they did they’d either fall over or break a bone or two !
Luckily enough, as fly fishers the negative results of being stiff won’t be so extreme but I was just trying to emphasize how these two relaxation movements are very common and that assimilating them to our technique is just, well… common sense.
All of those sports include swinging and swaying, balance, power application, precision, maintaining control and a constant realignment of the body, all the things an effecient fly caster does.
Doing these two things loosens up the whole spinal column and legs and it really helps most people stay consistent with all the aspects of their casting whether it be accuracy, special line layouts or distance. As a side bonus, this leads to greater comfort, tends to relax the shoulders, neck and somehow the mind as well. If you feel a certain tensing-up while you’re out practicing your casts or fishing, take a little break, do some stretching and conscious controlled breathing and you’ll be good to go in peak condition in minutes.
Get up and try these two simple things right now, there’s no need for a fly rod. First, stand straight as a pole and pantomime the casting motions, try to turn around and watch you back cast, then try all this in the relaxed form. I’m sure you’ll feel the difference and just might have a ‘wow’ moment. Be sure to take this with you next time you’re out fishing and remember to relax !
To finalize this introduction to the S.R.B. method here is a very Zen-like “Be one with the rod” type quote from Jim Williams that describes this all perfectly:
“Perhaps we bend and move as the rod does, become flexible as it becomes flexible…
we don’t cast with a broomstick so don’t be like one !”


“From glints and bits of foam, unlikely pale angels ascend to emerge scattered and briefly incandescent. Leaning upstream, shrugging off cold water a fish tips up, dimples the water, and whispers the meaning of mayflies.”

~ Anthony Naples

rise from below

Poetry, Grace, Fluidity and the State of Relaxed Butt

cool news today !
issue no.3 of Eat Sleep Fish is out with a more detailed article on the S.R.B. method and it  happens to be my first fly casting article in an ezine.
ok, this time i’m tooting my own horn a little but be sure to check out all the other great stuff from this great magazine as well. enjoy ! (and relax those cheeks! :mrgreen:)
click the image above for the complete article

Boring Poetry

a brilliant article  from Aitor Coteron addressing a rather big issue contemporary casting instructors are experiencing. needless to say, i couldn’t agree more.

” The late Mel Krieger classified casters in two broad groups: “engineers” and “poets”. The first group needs to know how things work in order to learn them; the other one relies more on feeling and doing those things than in any analytical approach.

Mel didn’t make any qualitative distinction between the two groups; although he himself was a “poet” instructor I think that he never dismissed those more inclined to the engineering way of seeing things. In fact he saw both views as equally valuable and complementary.
When in the recent history of flycasting instruction this has changed I don’t know for sure, but currently those who claim themselves as “poets” like to dismiss on a regular basis those of the “engineer” class.

To be honest I am able to differentiate very easily those instructors of the “engineer” kind: they just can explain, when necessary, casting issues by means of applied physics.
I have a hardest time, however, when it comes to distinguish those who consider themselves “poets”. Of course you find them using examples and similes to explain casting mechanics, but I don’t see why being an “engineer” prevents you from doing the same. There is, however, one key trait that makes “poets” as noticeable as a priest on top of a mound of lime: they proudly declare that concepts like “inertia” or “acceleration” are utterly unintelligible, whereas you can find tongue twisters like “kinaesthetic” appearing frequently in their conversation. “

continue reading here